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RESUME:
DONNA SPECTOR
Member: Dramatists Guild, Poets
& Writers
Agent:
Carolyn French at Fifi Oscard Agency
PRODUCTIONS
FULL-LENGTH PLAYS:
Burying Mother
- Workshopped at Manhattan Oracles, 2005-6
- Semi-finalist for the 2006 O'Neill Playwrights Conference
Unforgiveable
Act
- Finalist for the 2005-6 Panowski Playwriting Award
- Developed in workshop at Manhattan Oracles in 2005
Life Lines
- Finalist in Reverie Productions' Next Generation Competition,
NYC, 2006
- Staged reading at Reverie Productions, NYC, 2006
- Finalist in Theatre Unbound Competition, Minneapolis, 2005
- Staged reading at the Theater WorkShop, NYC, 2002
- Developed at the Harbor Theatre, NYC, 2001-2
Golden
Ladder
- Off-Broadway production at the Players Theatre, New York City,
2002;
- Published in Women Playwrights: Best Plays of 2002 (Smith
& Kraus) and Best Stage Scenes of 2002
(Smith & Kraus). Finalist,
Herbert Mark Newman Theatre contest (then titled How to be Really
Jewish)
- Produced at Hope
College, Michigan, 2004
- Staged Readings: Mirror Stage, Seattle, 2004; International
Women Playwrights Conference, Athens, Greece, 2000; Grove Street Playhouse,
New York 1999
Another
Paradise
- Off Broadway production, Players Theatre, 1986; Chinook Theatre
production, Edmonton, Canada, 1985; Equity Showcase, Open Space Theatre,
TOMI, NYC, 1984; Upstart Stage, Berkeley, CA, 1989
Manhattan
Transits
- Semi-finalist in Beverly Hills/Julie Harris contest & Chesterfield
Writer’s Film Project;
- Short-listed in the BBC/British Council International Radio Playwriting
Competition, 2001
- Staged readings: Urban Stages,
NYC, November 2004; Medicine Show, NYC, 1999; Passage Theatre in Trenton,
NJ, 1992; Contemporary Theatre
of Syracuse, NY,1990; Players Theatre, NYC,1989
Dancing
with Strangers
- Semi-finalist in Chesterfield Writer’s Film Project
- Staged Readings: Wings Theatre, NYC, 2001;
Playwrights Theatre of NJ, 1999
Hanging
Women
- Production
at Where Eagles Dare, NYC, 2007
- Production at California
State University, Hayward, 1998
- Staged readings: International Women Playwrights
Conference, Galway, Ireland, 1997; Playwrights
Theatre of NJ, 1996; Summit Theatre, NJ, 1995; Playwrights Harbor, NYC,
1995
Dementia
- Staged Reading, Harbor Theatre, NYC, 1998; two scenes performed
at Producers’ Club, 1999
These
Are My Adults
Finalist in Beverly Hills/Julie Harris & Mill Mountain Theatre contests
- Staged Reading, Playwrights Theatre of NJ,
1996
Seductions
- Staged Readings: Lark Theatre, NYC, in Festival of New Plays,
1996; William Mount-Burke Theatre, NJ, 1996; Playwrights Theatre of
NJ, 1996; George Street Playhouse, NJ, 1995
Strip Talk
on the Boulevard
- 2008 winner: Acrosstown Rep’s Sunwall Comedy Prize; 2003 Semi-finalist, Bloomington Playwrights Project.
- Staged Readings: Lark Theatre Company at the Chelsea Theatre,
1996; Win Atkins Memorial Play Reading Series, Hoboken, NJ, 1994; Waterfront
Ensemble, Players Theatre
and Williams Center (Rutherford, NJ), 1990-1992
Missing
Families
- Semi-finalist:
Mill Mountain Theatre Contest; Bloomfield College Theatre, 1993
- Staged Reading:
Playwrights Theatre of N.J., 2000
A Sense
of Movement
- Miranda Theatre Company (NYC), 1996;
- Production: Creative
Theatre Group, with a grant
from the New York Council for the Arts, 1987
Not for
the Ferryman
- Production:
Spetses
Theater at Anagyrios College, Greece, 1994; Pickup Styx Production with
a grant from the Geraldine R. Dodge Foundation, 1993; International
Center for Women Playwrights &
Buffalo Ensemble Theatre, 1993
- Staged Readings at Princeton University theater, 1991, Playwrights
Theatre of NJ, 1992, Abingdon Theatre, NYC, 2007
Caught
in the Act
- Productions: Showcase, Players Theatre, NYC,
1988; Warwick Lake Playhouse production, 1987
Mr. Big (Hip! Hip! Hooray!),
a political musical: Staged reading: Kaufman Theatre,
NYC, 1987
Life Lines: a
new play.
- Staged readings: Reverie Productions, NYC, 2006, WorkShop Theater, NYC, 2002
-
Finalist: Theatre Unbound Competition, Minneapolis, 2005; Reverie’s Next Generation Contest, 2006
Unforgivable Act: a
new play.
- Finalist: 2005-6 Panowski Playwriting Award; Semi-finalist: Reverie Productions, 2007.
ONE-ACT PLAYS:
The Gray
Bombers: Staged reading, Playwrights Theatre
of NJ, 1997
The Audition: Produced
in a one-act play festival, Williams Center, Rutherford, N.J., 1988
- Staged Reading, The Theater Center,
Philadelphia, 1985
10-20 MINUTE PLAYS:
Short-Term
Affairs: Winner
in Palm Springs National Short Play Fest, finalist in ATL National Ten-Minute
Play Contest
- Productions at Playwrights Circle in Palm Springs, 2003; Gallery
Players, Brooklyn, 2002; Actors on the Verge, NYC, 2001
- Staged reading: Drama West, L.A., 2001
- Forthcoming in 35 IN 10: THIRTY-FIVE TEN-MINUTE PLAYS (Dramatic
Publishing).
How to Make Yourself Miserable
by Traveling to France with a Frenchman Who Happens to be Your Boyfriend:
Staged reading at Playwrights Theatre of New Jersey, 2004
The Hollywood
Rapture Clinic : Staged readings at Atlantic Gallery, NYC, Playwrights Theatre of NJ, 2005
The Church
of Empirical Human Cartology: Staged readings:
Grove St. Playhouse, NYC, 2000; Drama
West, L.A., 2000
Passing
Fancies: SASI Productions’ One Act Festival,
NYC, 2000
The Crystal
Ball: Harbor Currents production, NYC, 2001
The Kitchen Sink Play: Playwrights'
Theatre of N.J., Gallery Players, 2003
Blind Date: Harbor
Currents production, Center Stage, NYC; Playwrights Theatre of N.J,
Samuel French One-Act Play Festival, 2003
Dinner with Marvin: Staged
reading, Playwrights Theatre of N.J., 2004
CONFERENCES
- International Women Playwrights
Conferences, where my plays were selected for readings:
Athens, Greece,
2000; Galway, Ireland, 1997; Buffalo, NY, 1988
- Key
West Theatre Conference, 1988
- Squaw Valley Writers Conference, 1988
PUBLICATIONS
Notre Dame Review and Poetica,
an Australia Broadcasting Company program of my poems
Poems, short stories, plays, scenes and monologues: Women Playwrights:
Best Plays of 2002 (Smith & Kraus), 2002 Best Stage
Scenes (S & K), Monologues by Women, for Women,
Even More Monologues for Women, by Women (Heinemann),
Blue Unicorn, The Greensboro Review, Black
River Review, Poet & Critic, Pudding
Magazine (forthcoming), Sycamore Review,
Teachers as Writers, The Connecticut
River Review, The Paterson Literary Review, The
Bellingham Review, Poet Lore, South Florida Poetry Review, Gaia; Plainswoman,
Facets, Journal of New Jersey Poets, Sow's Ear Poetry Review, Mudfish,
Oberon, The Pedestal Magazine, XY Files: Poems on the Male Experience
(Sherman Asher); At Our Core: Women Writing about Power
(Papier-Mache Press); In the West of Ireland (Enright
House); Emily Dickinson Award Anthology
ACADEMIC BACKGROUND
U.C.L.A. - Theater Arts and English
U.C. Berkeley
- B.A., M.A. in English
HONORS
National Endowment for the Humanities
grants to study abroad: Greece, 1994; Greece, 1990;
N.Y.U.
- N.D.E.A. fellowship in English and Creative Writing
Masters Poetry Prize (David Citino, judge)
PROFESSIONAL
EXPERIENCE
Playwright, Rutgers University Summer
Arts Institute
English, Theater, Creative Writing
and French teacher, high school and college
Director, actor, writer: Dementia,
a S.F. Bay Area improvisational theater troupe
Storyteller on Warwick Cable T.V.;
WNYE, New York; KPFA, Berkeley, CA
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